Last post I showed the bed, the bunny chair, the ghost stool and the chicken mirror. This picks up with those items again and the unexpected results, plus the rest of the set.
I'm going to tech talk for each item, so if you find yourself getting dry in the mouth or your heart is slowing down to a dangerous pace, please feel free to move forward or just look at the pretty pictures.
It had been some time since I opened the tools necessary to create - that includes the game. Pets opened this whole arena of actions that I am still not very familiar with. I put a call (a kind way of saying 'begged') for help at The Sims Daily - the set needed more than my eyes to examine it. This was especially important now that I am no longer as versed with what the game is offering. My short foray into sim pet ownership was far more frustrating than owning two dogs and a cat in real life. Worse - most CC is not designed to work with pets (for instance, the height of a couch or the length of a coffee table) specifically and is often off. So testers who are familiar with the game - have an active game - or know what they are looking for would catch things that I might not be looking for.
Testers rock my world, let me tell you. Every set I learn completely new things so these are a few notes on the objects.
Did you wet the bed . . . again?? |
Lowered or raised, the sim would move with the mirror (photos: Dee and Laure) |
The rabbit chair: Tested fine for animations, but the height was a bit off. The original reference mesh I used was not a wood dining chair, but a wood dining chair with cushion. Why is that important? Well my bentwood bunny chair is wafer thin, so a cat was seriously sliced in half when it rested on the seat. Disturbing. Normally, said cat would look all nice and cozy on that cushion. Very quick correction to make, but my test game has no animals in the household (so when I take pictures I don't have distractions in the shot). This was also released with three different tiling rates to allow for better pattern placement.
Version 2 (photo by Laure) |
Right . . . onward and upward. The rest of the set.
The radio: Sometimes simple things are the hardest to get. There is glass over the dial of the radio and while I exported it five times from Milkshape, each time I neglected to include the glass in the bones, so in game - it wouldn't show up. I asked Sandy if she had any ideas and she suggested this as the solution and I thought - oh, one time maybe, but I've done it five times already. Right. Five times wrong. Live an learn. Two versions are being released, but only one can be installed. I hate the animations that cover the object - the sonic 'boom-boom' & music note animation. Sandy at ATS3 told me how to remove these animations, so I decided to offer it in either/or. Same for the record player.
The recordplayer: Okay - I have done a record player before. What can I say - I love vintage pieces. This is based on an etsy artists repurposed record player turn clock. I loved the shape of it and wanted something a little more 50s/60s. I have learned over time that hard edges sometimes look strange in game so I went about this all wrong initially. In softening the edges it looked shockingly like the first one. I was absolutely disgusted with it when I finished and hated it in game. It seriously looked like I opened the one I made, took off the lid and replaced the arm with a new one . . . not recreated the whole thing point by point. So this needed an overhaul. The inspiration piece was definitely boxy, so the body needed to be reshaped. This probably has more polys than it really needs, but it finally looks like I wanted. There are three records and a fourth style that hides that part of the mesh. I could have applied the record as an overlay only, but I wanted it to have depth. After finishing it up, Chris looks over my shoulder and says "Why is it so angular?" meaning: the record. I probably should have just done an overlay, but I am a detail freak and felt the depth of the record would be perceived. Perhaps the next one I will do a really round record.
The coffee table: Almost didn't make this. I felt it was derivative of the trolley table I made for the Green set. Heidi convinced me that this was actually a different enough piece that I should attempt it. I am glad I did. I was able to play with the mask a bit to make a craggy looking painted metal surface. I also included a modified stencil in simlish. This has two masks for a clean and dirty version - as well as each style having the stencil option.
The floor lamp: While I love this, I have to admit that it's a few too many polys. This runs about 1400 - 200 above the suggested limits. That said, this covers more than a square technically - so really, I didn't think it was worth fussing over. Initially the channels were the shade and feet, the post and legs, and the actual switch on the shade - we're talking minutia detail. This was lost on all that used it, so three new masks were made for coloring options. No, the switch is no longer on its own channel!!
The wall sconce: I love this piece and it came together very fluidly. While there were no technical problems with it, a few notes were submitted that if a pattern was to be used on the shade, the arm looked a bit strange. Further, one person was familiar with this lamp but the colors were reversed. So this lamp also received three masks to allow for coloration options. This is also available in both directions.
Finally, the art for this set might seem as disjointed as the set itself. In my head it makes sense and is actually paired off to a degree for themes so one could hang in groupings. A couple of the pieces in particular are in direct relation to the idea of the animal related objects. I love art and while this particular set was difficult to pull together for me (meaning, I was not sure how to limit myself to 12), I love each of the pieces and have covered a number of styles/techniques. You'll have to judge for yourself. This is based on the 'floater' frame mesh that has been released in both vertical and horizontal orientations. While I love 'big' art and this frame is based on a real frame (both in oversized scale and depth), this particular version is much less deep and a more modest scale. The thing that is a major drag about this art is not only is some of it not even credited on the sites they were found, but also I have no idea what sites they were found on. While I feel it is a disservice to leave these as unnamed/attributed, it is also a big shame to not share such exciting pieces. If the artists/originators of the art work are made known, I will gladly credit.
I really enjoy reading your posts. I have always wanted to do something similar. Letting people know what thoughts were behind a creation, what inspired it, the problems to overcome, the anxiety of something not up to standard etc. the waning of wanting to create and the unexpected urge of making something again entirely unexpected; I wish people knew these things and understood slightly better.
ReplyDeleteAlthough I cannot play with them since I am profoundly stuck in Sims 2, your creations are lovely (the thought and effort you put into making stuff for the game is obvious). I am a big fan.
Take care
Hi buggy! Thank you for your comment . . . you know I never played Sims 2 due to the computer requirements but I look at all the nifty things and it seems like it could have been a very fun game. Heidi at Exotic Elements introduced me to your site a while back and I was crossing my fingers that you'd come on over to the dark side! hehe With all the screen shots I have seen from that game, it is clear that it would be a difficult transition given the vast amount of CC offered and from the different forums, I can also imagine the EPs offered that have still never been addressed in the Sims 3 franchise would make it a difficult transition. OFB and Seasons being the two most lamented.
ReplyDeleteGiven the very high quality of your work I am humbled that you like my little offerings. It has been a good escape from trying times to delve into creating. I started blogging first so it seemed at the time like a good way to document the trials of learning to mesh, but then to document why I'd even make something given the odd nature of some of the objects. Really - it's actually fun to 'talk shop' because there are so many ways to approach any object and while some things look insanely hard and turn out to be easy to make - those simple tricks that people take for granted can take countless revisions of fine tuning.
I have a new set I am working slowly on - the longer I am at it the more I consider adding which is part of the fun of pulling together a new set I suppose! I hope to make a post of it soon.